Tag definitions: is_jameslbrooksesque: Resembles the style of works or work of James L. Brooks most associated with them in the film professor or critic mind. Tag is "fuzzy" at the edges by design, pulling in things that may match on a few elements of directorial style well (film or editing look, dialogue style, storytelling approach, etc) but not others. Each film is associated with multiple directors at a time by design, the existence of tight match does not crowd out a slightly looser one. siege_action: An individual or small group defends a single location under sustained assault (Rio Bravo, Die Hard [McClane is assaulter], but NOT Dog Day Afternoon where drama is central not action) is_raoulwalshesque_white_heat: Resembles the style of Raoul Walsh's White Heat and their other work in that mode, as associated in the film professor or critic mind. Tag is "fuzzy" at the edges by design, pulling in things that may match on a few elements of directorial style well (film or editing look, dialogue style, storytelling approach, etc) but not others. Each film is associated with multiple directors at a time by design, the existence of tight match does not crowd out a slightly looser one. is_eggersesque: Resembles the style of works or work of Robert Eggers most associated with them in the film professor or critic mind. Tag is "fuzzy" at the edges by design, pulling in things that may match on a few elements of directorial style well (film or editing look, dialogue style, storytelling approach, etc) but not others. Each film is associated with multiple directors at a time by design, the existence of tight match does not crowd out a slightly looser one. is_zhaoesque: Resembles the style of works or work of Chloé Zhao most associated with them in the film professor or critic mind. Tag is "fuzzy" at the edges by design, pulling in things that may match on a few elements of directorial style well (film or editing look, dialogue style, storytelling approach, etc) but not others. Each film is associated with multiple directors at a time by design, the existence of tight match does not crowd out a slightly looser one. is_waititiesque_hunt_for_the_wilderpeople: Resembles the style of Taika Waititi's Hunt for the Wilderpeople and their other work in that mode, as associated in the film professor or critic mind. Tag is "fuzzy" at the edges by design, pulling in things that may match on a few elements of directorial style well (film or editing look, dialogue style, storytelling approach, etc) but not others. Each film is associated with multiple directors at a time by design, the existence of tight match does not crowd out a slightly looser one. horror_body_splatter: Film's plot is structured around body horror / splatter transgression. Exemplars showing range: The Fly — tragic biological transformation; Tetsuo: The Iron Man — industrial flesh-machine mutation; Raw — bodily appetite, desire, and taboo. is_mckayesque_the_big_short: Resembles the style of Adam McKay's The Big Short and their other work in that mode, as associated in the film professor or critic mind. Tag is "fuzzy" at the edges by design, pulling in things that may match on a few elements of directorial style well (film or editing look, dialogue style, storytelling approach, etc) but not others. Each film is associated with multiple directors at a time by design, the existence of tight match does not crowd out a slightly looser one. is_premingeresque_laura: Resembles the style of Otto Preminger's Laura and their other work in that mode, as associated in the film professor or critic mind. Tag is "fuzzy" at the edges by design, pulling in things that may match on a few elements of directorial style well (film or editing look, dialogue style, storytelling approach, etc) but not others. Each film is associated with multiple directors at a time by design, the existence of tight match does not crowd out a slightly looser one. is_soderberghesque_oceans_eleven: Resembles the style of Steven Soderbergh's Ocean's Eleven and their other work in that mode, as associated in the film professor or critic mind. Tag is "fuzzy" at the edges by design, pulling in things that may match on a few elements of directorial style well (film or editing look, dialogue style, storytelling approach, etc) but not others. Each film is associated with multiple directors at a time by design, the existence of tight match does not crowd out a slightly looser one. is_avildsenesque: Resembles the style of works or work of John G. Avildsen most associated with them in the film professor or critic mind. Tag is "fuzzy" at the edges by design, pulling in things that may match on a few elements of directorial style well (film or editing look, dialogue style, storytelling approach, etc) but not others. Each film is associated with multiple directors at a time by design, the existence of tight match does not crowd out a slightly looser one. horror_dark_fabulism: Film's plot is structured around dark fabulism / monstrous romance. Exemplars showing range: Bones and All — tragic monstrous romance; The Shape of Water — empathetic creature fable; Let the Right One In — supernatural coming-of-age. Candidate tag assignments: 1. The Royal Tenenbaums (2001) — candidate tag: is_jameslbrooksesque 2. Lesbian Vampire Killers (2009) — candidate tag: siege_action 3. Killer's Kiss (1955) — candidate tag: is_raoulwalshesque_white_heat 4. Repulsion (1965) — candidate tag: is_eggersesque 5. The Three Burials of Melquiades Estrada (2005) — candidate tag: is_zhaoesque 6. The Brother from Another Planet (1984) — candidate tag: is_waititiesque_hunt_for_the_wilderpeople 7. The Blob (1988) — candidate tag: horror_body_splatter 8. W. (2008) — candidate tag: is_mckayesque_the_big_short 9. Brighton Rock (1947) — candidate tag: is_premingeresque_laura 10. Set It Off (1996) — candidate tag: is_soderberghesque_oceans_eleven 11. Lucky You (2007) — candidate tag: is_avildsenesque 12. Wendell and Wild (2022) — candidate tag: horror_dark_fabulism Judge each item INDEPENDENTLY, in order, from internal knowledge of the film only (no web), at 40% confidence: does the film fit the named tag's definition, in full — including any centrality requirements and exclusions? If you do not know the film, answer N. For each item, first write a line 'Item — <1-2 sentences of analysis>' weighing the question, then on the next line give exactly: . VERDICT: Do this for all items. No other numbered lines.