Tag definitions: lower_or_working_class_noir_protagonist: The noir's protagonist — the primary point-of-view character the film follows most — occupies the lower or working class: manual laborers, drifters, ex-cons, petty criminals, hustlers, the broke and the precarious — regardless of origin. A petty stickup man belongs here; a boss running a city-scale organization is upper class. A bracket of the mutually-exclusive noir_protagonist_class axis (applied to is_classic_or_neo_noir carriers), judged on the class actually occupied during the film's main timeframe, not aspiration or fate. (Out of Sight, Runaway Train, Kansas City Confidential) is_blakeedwardsesque: Resembles the style of works or work of Blake Edwards most associated with them in the film professor or critic mind. Tag is "fuzzy" at the edges by design, pulling in things that may match on a few elements of directorial style well (film or editing look, dialogue style, storytelling approach, etc) but not others. Each film is associated with multiple directors at a time by design, the existence of tight match does not crowd out a slightly looser one. is_sturgesesque: Resembles the style of works or work of Preston Sturges most associated with them in the film professor or critic mind. Tag is "fuzzy" at the edges by design, pulling in things that may match on a few elements of directorial style well (film or editing look, dialogue style, storytelling approach, etc) but not others. Each film is associated with multiple directors at a time by design, the existence of tight match does not crowd out a slightly looser one. is_ramsayesque: Resembles the style of works or work of Lynne Ramsay most associated with them in the film professor or critic mind. Tag is "fuzzy" at the edges by design, pulling in things that may match on a few elements of directorial style well (film or editing look, dialogue style, storytelling approach, etc) but not others. Each film is associated with multiple directors at a time by design, the existence of tight match does not crowd out a slightly looser one. horror_comedy_mayhem: Film's plot is structured around horror-comedy / monstrous mayhem. Exemplars showing range: Tremors — warm, adventure-driven creature feature; Gremlins — comic suburban chaos; Evil Dead II — maximal slapstick splatter. rise_and_fall_drama: a protagonist's ascent then collapse — ambition, talent, or power built up and then ruined — often biopic-shaped. case_consumes_investigator: Investigator becomes obsessed with a case they cannot solve, and the case's irresolution destroys or transforms them. (Zodiac, The Pledge, Memories of Murder, Prisoners) lone_holdout_refuses_to_stop: The lone holdout (see has_lone_holdout) insists on continuing what the group forbids or demands they stop — publishing, building, trading, preaching, or any similar continued act. May co-occur with lone_holdout_refuses_to_comply. Only for films that carry has_lone_holdout. Exemplars: An Enemy of the People, Chocolat. is_lyneesque_fatal_attraction: Resembles the style of Adrian Lyne's Fatal Attraction and their other work in that mode, as associated in the film professor or critic mind. Tag is "fuzzy" at the edges by design, pulling in things that may match on a few elements of directorial style well (film or editing look, dialogue style, storytelling approach, etc) but not others. Each film is associated with multiple directors at a time by design, the existence of tight match does not crowd out a slightly looser one. space_adventure: A rollicking sci-fi space adventure. Star Wars, Guardians of the Galaxy, Flash Gordon, The Fifth Element. has_paranoid_investigator: Analyst/investigator becomes convinced of a conspiracy and pursues it, often at cost to their reason or career. (The Conversation, Blow Out, Klute, Enemy of the State) is_fosseesque_cabaret: Resembles the style of Bob Fosse's Cabaret and their other work in that mode, as associated in the film professor or critic mind. Tag is "fuzzy" at the edges by design, pulling in things that may match on a few elements of directorial style well (film or editing look, dialogue style, storytelling approach, etc) but not others. Each film is associated with multiple directors at a time by design, the existence of tight match does not crowd out a slightly looser one. Candidate tag assignments: 1. Bronson (2008) — candidate tag: lower_or_working_class_noir_protagonist 2. Road to Bali (1952) — candidate tag: is_blakeedwardsesque 3. Clueless (1995) — candidate tag: is_sturgesesque 4. Water Lilies (2007) — candidate tag: is_ramsayesque 5. Child's Play (1988) — candidate tag: horror_comedy_mayhem 6. The Doors (1991) — candidate tag: rise_and_fall_drama 7. Untraceable (2008) — candidate tag: case_consumes_investigator 8. La Terra Trema (1948) — candidate tag: lone_holdout_refuses_to_stop 9. Cruising (1980) — candidate tag: is_lyneesque_fatal_attraction 10. The Brother from Another Planet (1984) — candidate tag: space_adventure 11. The Window (1949) — candidate tag: has_paranoid_investigator 12. Vivo (2021) — candidate tag: is_fosseesque_cabaret Judge each item INDEPENDENTLY, in order, from internal knowledge of the film only (no web), at 40% confidence: does the film fit the named tag's definition, in full — including any centrality requirements and exclusions? If you do not know the film, answer N. For each item, first write a line 'Item — <1-2 sentences of analysis>' weighing the question, then on the next line give exactly: . VERDICT: Do this for all items. No other numbered lines.