Tag definitions:
- outsider_on_assignment: The main character arrives in a community they don't belong to because an obligation puts them there — sent by an employer, posted by a government, ordered by a court, bound by a contract or promise, or any similar duty. The obligation is what initially keeps them there when they would rather leave, and carrying it out (or failing to) is a significant driver of the plot. Distinct from fish_out_of_water, which covers the struggle to adapt; this tag is about the assignment itself, and the two often co-occur. Do not include characters who arrive as tourists, drifters, or by accident with nothing holding them there. Exemplars: Local Hero, Promised Land (2012), Wild River, New in Town, The Dish, Doc Hollywood.
- outsider_goes_native: An outsider who came to a community to change it, take something from it, study it, or pass through it is instead won over by it — by the end their loyalty has moved to the community, its people, or its way of life. The turn usually completes when they side against the interest that brought them: quitting the job, undermining the deal, staying when they were meant to leave. The conversion must be a significant driver of the plot, not a warm feeling in the last scene. For speculative fiction, non-human or invented communities qualify. Distinct from outsider_on_assignment, which covers the arrival arrangement; the change of allegiance can happen without any assignment. Exemplars: Local Hero, Avatar, Dances with Wolves, Witness, Doc Hollywood, New in Town.
- community_faces_buyout: A company, government, or other powerful outside party is trying to acquire a community's land, homes, resource, or main livelihood, and the attempted acquisition is a significant driver of the plot. The buyer can be sympathetic, villainous, or anywhere between, and the community can resist, welcome the money, or be split. For speculative fiction, invented resources and settlements qualify. Distinct from community_rallies_to_save_institution, where the threat is the loss of one beloved institution rather than acquisition of the community's own ground. Exemplars: Local Hero, The Milagro Beanfield War, Wild River, Promised Land (2012), Other People's Money, The Field, Avatar.
- has_holdout_refusing_to_sell: One person or household refuses to sell or leave while everyone around them has taken the deal, and the refusal blocks a purchase, project, or development that cannot proceed without them. The standoff between the holdout and the party that needs their land, house, or signature is a significant driver of at least one act. The offer does not have to be unfair and the holdout does not have to be right. Exemplars: Local Hero, Up, The Castle, Wild River, *batteries not included.
- has_benevolent_town_conspiracy: A community coordinates a scheme, performance, or deception together — staging a lie for an inspector, dressing the town up for a visitor, hiding something from the authorities, impersonating a dead man, or any similar collective con — with an aim the film treats sympathetically: money, survival, landing a doctor, keeping a harmless secret. The scheme and the effort to keep it from unraveling drive a significant part of the plot. Do not include towns whose shared secret is sinister or predatory — a community concealing a crime against someone belongs with community_as_antagonist or small_town_underbelly, not here. Exemplars: Waking Ned, The Grand Seduction, Whisky Galore!, The Englishman Who Went Up a Hill But Came Down a Mountain, Welcome Mr. Marshall!, The Mouse That Roared.
- community_rallies_to_save_institution: A community organizes to save a local institution it loves — a railway line, a band, a church, a pub, a shop, a team, a community center, or any similar shared thing — from closure, demolition, foreclosure, or sale. The campaign (fundraising, petitioning, running the thing themselves, one big show or match or scheme) is a significant driver of the plot. The institution must matter to the community as a shared thing; saving one family's private home belongs to has_holdout_refusing_to_sell instead. Exemplars: The Titfield Thunderbolt, Brassed Off, Calendar Girls, The Goonies, Empire Records.

Films:
1. A Walk in the Clouds (1995) — candidate tags: outsider_goes_native, outsider_on_assignment
2. The Legend of Zorro (2005) — candidate tags: community_faces_buyout
3. Dersu Uzala (1975) — candidate tags: outsider_on_assignment
4. Parrish (1961) — candidate tags: community_faces_buyout
5. The Brother from Another Planet (1984) — candidate tags: outsider_goes_native
6. Joe's Apartment (1996) — candidate tags: community_faces_buyout
7. You Don't Mess with the Zohan (2008) — candidate tags: community_faces_buyout
8. The Scar (1976) — candidate tags: outsider_goes_native, outsider_on_assignment
9. State and Main (2000) — candidate tags: outsider_goes_native, outsider_on_assignment
10. The Gospel (2005) — candidate tags: community_rallies_to_save_institution

Judge each film from your internal knowledge only — no web searches. For each numbered film, judge ONLY its listed candidate tags against the definitions above, with brief reasoning per candidate, then end that film's entry with exactly one verdict line: the film's number from the list above, a colon, then the comma-separated tag slugs that apply, or the word none — for example `3: outsider_goes_native` or `7: none`. The verdict line must contain nothing but the number, the colon, and the slugs (or none). Apply a tag if you are at least 40% confident it applies.