Films:
1. The Royal Tenenbaums (2001)
2. The Man Without a Past (2002)
3. Being There (1979)
4. The Electric Horseman (1979)
5. The Battle of Shaker Heights (2003)
6. Gridlock'd (1997)
7. The Brother from Another Planet (1984)
8. Jumbo (2020)
9. Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? (1971)
10. Say Anything... (1989)

Which of the following films, if any, would a critic or a film professor — reach for Harold and Maude — or Hal Ashby's other films in that mode — to describe it, not just for the SUBJECT but for what the film feels like, or what the film looks and sounds like, how it unfolds, the directorial vision and feel and worldview, how it is felt and told and experienced? 

Judge each film INDEPENDENTLY, in order. For each film, first write a line 'Film <number> — <1-2 sentences of analysis>' weighing the question for that film, then on the next line give exactly:
<number>. VERDICT: <Y|N>
Do this for all films. No other numbered lines.