Tag: earthly_comedy_cosmic_awe
Definition: A sense of wonder at the vastness, mystery, or sublimity of existence that is expressed through, juxtaposed with, or undercut by comedy and human absurdity. The wonder is at the world and at life as they are, felt by ordinary people who remain in the ordinary world; the vastness can be shown by the film (a sky, a desert, a city at night, the same moment happening in many places) rather than remarked on by a character. The comedy does not have to be laugh-out-loud, but there must be human comedy of the sort in Cinema Paradiso. The feeling is usually bittersweet: the character ends up small in a large world, and the film treats that smallness as consoling rather than frightening. A fable device (a memory-erasing clinic, a man-made sky) qualifies as long as the human world stays intact and the mystery stays unexplained. Do not include films where the wonder is supplied by a god, angel, devil, or afterlife that explains the universe — a heaven with a waiting room is a fantasy premise, not cosmic awe. Do not include films with no comedy in them at all. Exemplars: Local Hero, Salmon Fishing in the Yemen, Eternal Sunshine of the Spotless Mind, Night on Earth, The Truman Show, The Hudsucker Proxy, Lost in Translation. Not: Wings of Desire, Heaven Can Wait, Bedazzled.

Films:
1. Lost in Translation (2003)
2. Me and You and Everyone We Know (2005)
3. The Bishop's Wife (1947)
4. The Brother from Another Planet (1984)
5. Twenty Bucks (1993)
6. Being There (1979)
7. The Wind Will Carry Us (1999)
8. Whisky Galore! (1949)
9. Nebraska (2013)
10. Captain Fantastic (2016)

Judge each film INDEPENDENTLY, in order, from your internal knowledge only — no web searches. For each film, first write a line 'Film <number> — <1-2 sentences of analysis>' weighing the definition against that film, then on the next line give exactly:
<number>. VERDICT: <Y|N>
Answer Y if you are at least 40% confident the tag applies. For every Y film add one more line:
<number>. EXEMPLARY: <Y|N>
EXEMPLARY is Y only if you would cite this film as an example of the tag alongside the canonical example. Do this for all films. No other numbered lines.